Absolute Pitch: Effects of Timbre on Note-Naming Ability
Identifieur interne : 000D82 ( Main/Exploration ); précédent : 000D81; suivant : 000D83Absolute Pitch: Effects of Timbre on Note-Naming Ability
Auteurs : Patrícia Vanzella [Brésil] ; E. Glenn Schellenberg [Canada]Source :
- PLoS ONE ; 2010.
Abstract
Absolute pitch (AP) is the ability to identify or produce isolated musical tones. It is evident primarily among individuals who started music lessons in early childhood. Because AP requires memory for specific pitches as well as learned associations with verbal labels (i.e., note names), it represents a unique opportunity to study interactions in memory between linguistic and nonlinguistic information. One untested hypothesis is that the pitch of voices may be difficult for AP possessors to identify. A musician's first instrument may also affect performance and extend the sensitive period for acquiring accurate AP.
A large sample of AP possessors was recruited on-line. Participants were required to identity test tones presented in four different timbres: piano, pure tone, natural (sung) voice, and synthesized voice. Note-naming accuracy was better for non-vocal (piano and pure tones) than for vocal (natural and synthesized voices) test tones. This difference could not be attributed solely to vibrato (pitch variation), which was more pronounced in the natural voice than in the synthesized voice. Although starting music lessons by age 7 was associated with enhanced note-naming accuracy, equivalent abilities were evident among listeners who started music lessons on piano at a later age.
Because the human voice is inextricably linked to language and meaning, it may be processed automatically by voice-specific mechanisms that interfere with note naming among AP possessors. Lessons on piano or other fixed-pitch instruments appear to enhance AP abilities and to extend the sensitive period for exposure to music in order to develop accurate AP.
Url:
DOI: 10.1371/journal.pone.0015449
PubMed: 21085598
PubMed Central: 2978713
Affiliations:
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<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Absolute Pitch: Effects of Timbre on Note-Naming Ability</title><author><name sortKey="Vanzella, Patricia" sort="Vanzella, Patricia" uniqKey="Vanzella P" first="Patrícia" last="Vanzella">Patrícia Vanzella</name><affiliation wicri:level="1"><nlm:aff id="aff1"><addr-line>Department of Music, University of Brasilia, Brasília, Brazil</addr-line></nlm:aff><country xml:lang="fr">Brésil</country><wicri:regionArea>Department of Music, University of Brasilia, Brasília</wicri:regionArea><wicri:noRegion>Brasília</wicri:noRegion></affiliation></author><author><name sortKey="Schellenberg, E Glenn" sort="Schellenberg, E Glenn" uniqKey="Schellenberg E" first="E. Glenn" last="Schellenberg">E. Glenn Schellenberg</name><affiliation wicri:level="4"><nlm:aff id="aff2"><addr-line>Department of Psychology, University of Toronto, Mississauga, Ontario, Canada</addr-line></nlm:aff><country xml:lang="fr">Canada</country><wicri:regionArea>Department of Psychology, University of Toronto, Mississauga, Ontario</wicri:regionArea><orgName type="university">Université de Toronto</orgName><placeName><settlement type="city">Toronto</settlement><region type="state">Ontario</region></placeName></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">PMC</idno><idno type="pmid">21085598</idno><idno type="pmc">2978713</idno><idno type="url">http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2978713</idno><idno type="RBID">PMC:2978713</idno><idno type="doi">10.1371/journal.pone.0015449</idno><date when="2010">2010</date><idno type="wicri:Area/Pmc/Corpus">000E73</idno><idno type="wicri:Area/Pmc/Curation">000E73</idno><idno type="wicri:Area/Pmc/Checkpoint">000327</idno><idno type="wicri:Area/Ncbi/Merge">000822</idno><idno type="wicri:Area/Ncbi/Curation">000822</idno><idno type="wicri:Area/Ncbi/Checkpoint">000822</idno><idno type="wicri:Area/Main/Merge">000D92</idno><idno type="wicri:Area/Main/Curation">000D82</idno><idno type="wicri:Area/Main/Exploration">000D82</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a" type="main">Absolute Pitch: Effects of Timbre on Note-Naming Ability</title><author><name sortKey="Vanzella, Patricia" sort="Vanzella, Patricia" uniqKey="Vanzella P" first="Patrícia" last="Vanzella">Patrícia Vanzella</name><affiliation wicri:level="1"><nlm:aff id="aff1"><addr-line>Department of Music, University of Brasilia, Brasília, Brazil</addr-line></nlm:aff><country xml:lang="fr">Brésil</country><wicri:regionArea>Department of Music, University of Brasilia, Brasília</wicri:regionArea><wicri:noRegion>Brasília</wicri:noRegion></affiliation></author><author><name sortKey="Schellenberg, E Glenn" sort="Schellenberg, E Glenn" uniqKey="Schellenberg E" first="E. Glenn" last="Schellenberg">E. Glenn Schellenberg</name><affiliation wicri:level="4"><nlm:aff id="aff2"><addr-line>Department of Psychology, University of Toronto, Mississauga, Ontario, Canada</addr-line></nlm:aff><country xml:lang="fr">Canada</country><wicri:regionArea>Department of Psychology, University of Toronto, Mississauga, Ontario</wicri:regionArea><orgName type="university">Université de Toronto</orgName><placeName><settlement type="city">Toronto</settlement><region type="state">Ontario</region></placeName></affiliation></author></analytic><series><title level="j">PLoS ONE</title><idno type="e-ISSN">1932-6203</idno><imprint><date when="2010">2010</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en"><sec><title>Background</title><p>Absolute pitch (AP) is the ability to identify or produce isolated musical tones. It is evident primarily among individuals who started music lessons in early childhood. Because AP requires memory for specific pitches as well as learned associations with verbal labels (i.e., note names), it represents a unique opportunity to study interactions in memory between linguistic and nonlinguistic information. One untested hypothesis is that the pitch of voices may be difficult for AP possessors to identify. A musician's first instrument may also affect performance and extend the sensitive period for acquiring accurate AP.</p></sec><sec><title>Methods/Principal Findings</title><p>A large sample of AP possessors was recruited on-line. Participants were required to identity test tones presented in four different timbres: piano, pure tone, natural (sung) voice, and synthesized voice. Note-naming accuracy was better for non-vocal (piano and pure tones) than for vocal (natural and synthesized voices) test tones. This difference could not be attributed solely to vibrato (pitch variation), which was more pronounced in the natural voice than in the synthesized voice. Although starting music lessons by age 7 was associated with enhanced note-naming accuracy, equivalent abilities were evident among listeners who started music lessons on piano at a later age.</p></sec><sec><title>Conclusions/Significance</title><p>Because the human voice is inextricably linked to language and meaning, it may be processed automatically by voice-specific mechanisms that interfere with note naming among AP possessors. Lessons on piano or other fixed-pitch instruments appear to enhance AP abilities and to extend the sensitive period for exposure to music in order to develop accurate AP.</p></sec></div></front><back><div1 type="bibliography"><listBibl><biblStruct><analytic><author><name sortKey="Deutsch, D" uniqKey="Deutsch D">D Deutsch</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Parncutt, R" uniqKey="Parncutt R">R Parncutt</name></author><author><name sortKey="Levitin, Dj" uniqKey="Levitin D">DJ Levitin</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Takeuchi, Ah" uniqKey="Takeuchi A">AH Takeuchi</name></author><author><name sortKey="Hulse, Sh" uniqKey="Hulse S">SH Hulse</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Ward, Wd" uniqKey="Ward W">WD Ward</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Schellenberg, Eg" uniqKey="Schellenberg E">EG 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